Statement

Sculpture, for me, is not a fixed form or a singular mode of expression, but an ongoing process of thinking and making shaped through material, space, and scale. I do not adhere to a single material or stylistic approach; each work reveals its own necessities through the act of production.

My practice moves between figurative and abstract languages, and at times focuses solely on relationships of form and volume. Subject matter is not a predetermined framework, but an evolving element that emerges throughout the making process. As a result, my works maintain both formal and conceptual fluidity.

Space is not merely a site of display, but an active component that shapes the presence and meaning of the sculpture. In my site-specific works, the relationship between sculpture and architecture becomes a central concern.

I consider my sculptural practice as an open field — one that remains intentionally flexible and continues to deepen and transform in multiple directions.